حزمة البرومبتات

Seamless photorealistic composite: Place the man from the source video sitting naturally on the black leather executive chair behind the modern black desk in the reference image. The subject (a man with a short beard wearing a dark green t-shirt) is positioned behind the desk, so his lower body is naturally occluded by the desk structure. Harmonize the lighting perfectly: apply warm, ambient rim lighting to the sides of his face, hair, and shoulders to match the orange LED strips from the wooden shelves behind him. Add a soft, natural front fill light so his face is clearly visible, matching the room's ambient daylight coming from the large window on the right. Create realistic contact shadows where he sits on the chair and where his arms might rest on or near the desk. Retain the exact facial expressions, lip sync, and original audio from the source video. Ultra-realistic, 4k, cinematic lighting, perfect subject-to-background integration. make the Plants outside on the right to be a little bit moving to show the realism, But a little bit of film grain. after 5 second change the camera angle to shoot from the right side and after 5 second go back to front view but a medium shot and after 5 second go to left side and after 5 secons a shot from outside aiming at me. do not change the original audio. change my clothes and body shape to @image2

Vertical 9:16. Cinematic slow dolly-in on the man from the reference photos, wearing an elegant all-white tailored suit, white shirt and a matching white wide-brim hat, seated at a café table outside "CAFÉ DE PARIS" with the Eiffel Tower soft in the background. Warm golden afternoon light, soft bokeh of the street and vintage awnings. He holds a porcelain espresso cup in one hand and a folded newspaper in the other. He lifts the newspaper toward camera — the front page reads "YG MEDIA / NEXT PHASE" above a photo of a white supercar on an open road — smiles and says in Arabic: "واحين نشتغل صح". The camera keeps pushing in until the newspaper photo fills the frame. High-fashion editorial tone, shallow depth of field, warm film color. No subtitles, no captions.

Vertical 9:16. Single continuous, unbroken camera movement — no cuts, no scene breaks. The shot opens exactly on the close-up racing car photo from the newspaper, same vertical image, unchanged. The frozen photo begins to move as the camera pushes directly through it, carrying forward without interruption into the interior of a sleek white sports car cockpit at high speed on an open highway, motion blur outside the windows, warm dynamic light. As the camera arrives inside the car, it keeps moving and settles into a well-framed angle on him — behind the wheel, wearing a white-and-gold racing suit with racing gloves and a white racing helmet featuring the gold "YG MEDIA" logo fully visible on the side (not cropped), visor up. Once the camera has settled on this angle, he glances toward camera and says, in Arabic: "أحين صرنا أسرع بس مو في المسابقات" with a confident, playful smile. The whole sequence — newspaper, push through, arrival inside the car, settle, speech — plays as one uninterrupted shot. No subtitles, no captions, no burned-in on-screen text anywhere in the shot.

Vertical 9:16. Inside a small skydiving plane with the side door open, bright blue sky and clouds outside. The same man sits by the door in a white-and-gold jumpsuit with "yg" gold logos on the chest and sleeves, grey skydiving harness, and a white helmet with the gold "yg" logo, visor up. He tightens his harness straps, then turns to camera with an excited smile and speaks a short line in Arabic [your line]. He stands up, steps to the open door and grips the frame, wind pulling at his suit, ready to jump. Handheld cinematic feel, bright natural daylight, realistic plane interior. No subtitles, no captions.

Vertical 9:16. One continuous shot. The man in the white-and-gold "yg" jumpsuit and white helmet stands in the open door of the small plane high above the clouds, then leaps out. The camera follows him out of the plane — the plane's wheels pass overhead — and tracks him from behind as he falls toward a sea of white clouds and blue water far below. He spreads into a stable freefall pose; the camera swings around to face him as he flies toward it, arms out, sun flare behind him, wind rippling his suit. He looks into the lens with a big smile and speaks a short line in Arabic [your line]. Photoreal action-sports look, bright high-altitude light. No subtitles, no captions.

Vertical 9:16. One continuous shot. Seen from below, the man glides down under a cream-white parachute canopy printed with the gold "yg MEDIA" logo, against a clear blue sky. The camera descends with him as he lands softly on a lush green golf-course fairway lined with trees in warm late-afternoon sun. He unclips, takes off his white "yg" helmet and holds it at his side, then walks confidently toward the camera in his white-and-gold jumpsuit and harness. He stops close to camera, smiles and speaks a short line in Arabic [your line]. Long soft shadows, golden light, cinematic depth of field. No subtitles, no captions.

Vertical 9:16. One continuous camera move. Start at eye level on the man standing on the golf-course fairway holding his helmet. The camera rises fast into a high aerial drone shot looking straight down — he becomes a tiny figure on the green. From above, the mowed grass patterns, sand bunkers and tree lines of the golf course are revealed to form the exact "yg" logo from the reference image across the landscape. The grass shapes of the logo then turn into polished gold metal, lift off the ground and resolve into a glossy 3D gold "yg" logo floating centred on a dark charcoal background. Warm golden light, premium brand-reveal feel. Use the exact logo from the reference; do not redraw or add letters.

REFERENCES
@Video1 = opening reference AND primary identity reference. 00:00-00:08 of the source. The man in a plain ordinary interior room, everyday home clothing, talking to camera. His face, build, hair, skin tone and clothing must match this in every shot. Also the source of truth for the room's framing, lens height and light at the start.
@Video2 = closing reference. 00:18-00:22 of the same continuous take. Same man, same plain room, same framing. The video must land back on this exactly.
@Image7 = wardrobe for the Paris scenes.
@Image8 = wardrobe for the Japan scenes.
@Image10 = wardrobe for the New York scenes.
@Image1 = Paris restaurant interior.
@Image2 = Paris street.
@Image3 = Japanese restaurant interior.
@Image9 = bowl of noodle soup with chopsticks.
@Image4 = Japan street.
@Image6 = New York Times Square outdoor restaurant table.
@Image5 = New York Times Square street.

ONE CONTINUOUS TAKE. No cuts anywhere in the video. Vertical 9:16. Cinematic 35mm look, natural skin tones, shallow depth of field throughout. The same man from
@Video1 - identical face, build and hair - in every single shot.

THE SIGNATURE MOVE, repeated at every environment change: a very fast dolly-out with eased acceleration and eased settle, arcing 30 degrees to the man's right, never stopping. The world dissolves and rebuilds around him mid-move - walls, light, people, furniture and his clothing reassembling in real time - while the camera keeps travelling. The environment changes, the take never breaks. No wipes, no dip to black, no cross-dissolve between separate shots: the space itself transforms.

Shot 1 [0-1s]: The man stands in a plain ordinary interior room in simple everyday home clothing, facing camera. Medium-close framing, flat neutral indoor light, static camera. Framing, wardrobe and light match @Video1.

Shot 2 [1-2s]: Signature move fires. The plain room peels away and rebuilds into the Parisian cafe in
@Image1 - table, coffee cups, wicker chairs, awning, street beyond - and his clothing changes in the same sweep to @Image7. He settles seated at the cafe table with coffee and breakfast in front of him, relaxed, glancing slightly off-camera. Medium shot. Warm Paris morning light, soft haze.

Shot 3 [2-3s]: Without cutting, the camera pushes smoothly in to a close-up as he lifts the coffee cup, sips, and sets it down with a small satisfied breath. Steam off the coffee, creamy background bokeh.

Shot 4 [3-4.5s]: Signature move fires. The cafe dissolves and rebuilds into the Paris street in @Image2 - buildings, pavement, shopfronts, passers-by - while he rises straight out of the chair into a walking stride, outfit @Image7 unchanged. The camera settles into a smooth backward track leading him as he walks toward it at an easy confident pace.

Shot 5 [4.5-6s]: Still tracking backward, the camera eases in to a close-up on his face. He glances up at the buildings and smiles faintly, light flickering across him as he passes under awnings.

Shot 6 [6-7.5s]: Signature move fires. The Paris street folds away and rebuilds into the Japanese restaurant in
@Image3 - low wooden table, paper screens, warm lanterns -and his clothing changes in the same sweep to @Image8. The camera drops to near floor level and he comes to rest seated on the floor on the white cushion on the right side of the low table, legs folded, the steaming bowl of noodle soup from @Image9 in front of him, chopsticks in hand. Medium shot, warm low-key lantern light.

Shot 7 [7.5-9s]: Without cutting, the camera pushes in close as the chopsticks lift a tangle of noodles from the bowl, steam curling upward, and he eats and closes his eyes for a beat, enjoying it.

Shot 8 [9-10s]: Signature move fires. The restaurant dissolves and rebuilds into the street in @Image4 -signage, storefronts, pedestrians, evening light - while he rises from the floor straight into a walking stride, outfit @Image8 unchanged. The camera rises from floor level to standing eye level and settles into a backward track leading him.

Shot 9 [10-11s]: Still tracking backward, the camera eases in close on his face. Neon and signage streak across him in soft coloured bokeh as he looks around, relaxed.

Shot 10 [11-12s]: Signature move fires. The Japanese street folds away and rebuilds into the outdoor restaurant table at New York Times Square in @Image6 - cafe table, barriers, towering illuminated billboards, crowds - and his clothing changes in the same sweep to @Image10. He comes to rest seated at the table, lifting a large burger with both hands. Medium shot across the table, shifting billboard light.

Shot 11 [12-13s]: Without cutting, the camera pushes in close as he bites into the burger with his eyes shut, savouring it, then gives a slow satisfied nod.

Shot 12 [13-15s]: Signature move fires. The table dissolves and rebuilds into the heart of Times Square in
@Image5 - billboards, crowds, yellow cabs, wet reflective pavement at night - while he rises from the chair straight into a walking stride, outfit @Image10 unchanged. The camera tracks backward leading him through the crowd, then eases in close on his face as he looks up at the billboards and smiles toward camera.

Shot 13 [15-16s]: One last fast eased push in toward his face as the entire city peels away and collapses inward -billboards, crowd and noise swallowed - rebuilding into the same plain ordinary interior room from Shot 1, his clothing returning to the simple everyday home clothing.

Shot 14 [16-17s]: He stands in the plain room facing camera, calm, flat neutral indoor light, static camera. Framing, light and wardrobe match @Video2 exactly.

SOUND

This video will be laid under an existing continuous voiceover in the edit, so the generated audio must be ambience and music ONLY, mixed low, with clear headroom left across the whole track for a voice to sit on top.

Environmental ambience changes with each location and crossfades on every transition: quiet plain room tone at the start; Parisian street ambience with distant scooters, cutlery on porcelain, muted cafe chatter and light breeze; Paris street footsteps on stone, traffic hum, a bicycle bell; quiet Japanese restaurant with soft broth simmer, ceramic clinks and a distant sliding door; Japanese street footsteps, crowd murmur, shop jingles; dense Times Square crowd with taxi horns, distant sirens and street performer drums; then everything collapsing back to quiet room tone.

A soft airy whoosh on every environment change.

Music: a continuous low instrumental bed that shifts with each city - accordion in Paris, koto and shakuhachi in Japan, brass and drums in New York - building to its fullest in Times Square, then cutting away on the final transition. Keep the music well under the ambience.

No dialogue throughout the entire video. No background narration. No voices speaking. No singing. No lyrics. The man's mouth does not move as if talking in any shot after Shot 1.

Locked tracking shot from the rider's right side at a fixed distance: the camera travels alongside the motorcycle at exactly the same speed, so the rider and bike stay the same size and in the same place in the LEFT half of the frame for the whole shot. No zoom out, no pull back, no change of angle, no cuts. The man rides the sport motorcycle fast toward the right, wheels spinning, jacket rippling in the wind, headlight glowing, wet road and street lights streaking past with motion blur, city skyline lights sliding slowly behind with parallax. No text.

Static locked camera for the entire shot: the exact same side angle, same framing, same height, no camera movement, no tilt up, no zoom, no cuts. The motorcycle begins to transform: starting at the front wheel, the bike breaks apart into glowing golden square pixel blocks and digital voxels that ripple backward across the whole motorcycle, swirl and reassemble, block by block, into a giant majestic golden-brown eagle. The rider stays seated in place, now sitting on the eagle's neck. The pixel transformation takes the first five seconds. Then the eagle spreads its huge wings, beats them powerfully and lifts off, flying toward the right while staying in the LEFT half of the frame at the same size, the rider holding on, jacket flapping in the wind, the city lights and water passing below. Night city skyline, warm gold and cool blue light, cinematic. No text.